Tuesday, December 9, 2014

Famous Art at MOMA

A few weekends ago I went into New York City with girlfriends.   We found ourselves with a little extra time at MOMA (The Museum of Modern Art) and we wandered the galleries without any specific agenda.  It was wonderful.  I had forgotten how much gorgeous art is housed in MOMA.  I'd like to share a few of my favorites, though the iPhone doesn't do the artwork justice:

Pablo Picasso, Girl before a Mirror, Boisegeloup, 1932 -- on wall
Pablo Picasso, Head of a Woman, Boisegeloup, 1932 -- sculpture
(these just make me smile; what was Picasso like as a dinner guest, I wonder?)

Paul Cezanne, Still Life with Apples, 1895-98
(love how the scene fades to white in the upper left)

Mark Rothko, No. 3/No. 13, 1949
(this positively glows -- I had no idea)

Jasper Johns, detail of Flag, 1954-55
(the depth of brushstrokes is gorgeous)

Vincent van Gogh, The Starry Night, Saint Remy, June 1889
(luscious, luscious, luscious)

Gustav Klimt, The Park, 1910 or earlier
(I just love all the colors of the foliage)

Claude Monet, Agapanthus, 1914-26
(there's a wildness here that I'm so attracted to)

Paul Gauguin, Still Life with Three Puppies, 1888
(I hadn't seen this before, but I love it)

And there you have it, a mini-MOMA masterpiece tour.

Monday, December 1, 2014

The "100" Fundraiser

I'm honored to be one of the 100 invited fiber artists participating in Virginia Spiegel's upcoming fundraiser for the American Cancer Society.

What's the goal? Raise $10,000 in one day 

When will the fundraiser take place? Wednesday, February 4, 2015

How will we raise $10,000?  Easy; the first 100 patrons who contribute $100 to the American Cancer Society through Virginia's Fiberart for a Cause will receive an 8" x 10" fiber artwork, randomly selected from the pool of art created by the 100 invited artists.

Who's an invited artist?  The list is filled with remarkable talent, including my dear friends Natalya Aikens, Deborah Boschert, Jane Davila, and Kristin LaFlamme. The complete list can be found here, along with the details on how to be a part of this exciting fundraiser.   I am truly humbled and honored to be on the list.

Why should you participate?  I understand that everyone has only a limited amount of funds to donate to worthy causes, but the American Cancer Society is certainly a good one to consider.  Cancer is the second most common cause of death in the US after heart disease; one in four deaths can be attributed to cancer.  However, the American Cancer Society is making great strides in early detection and treatment of this disease.  At the conclusion of the "100" fundraiser, Fiberart for a Cause will have donated a quarter of a million dollars to support the American Cancer Society's efforts!

For my part, I also have personal reasons to be involved.  I'd like to support the cause in honor of the survivors who benefitted from cancer treatments -- like my mom, and also in memory of those who lost their battle, like Lisa Quintana.  Perhaps you know someone, too, who's been touched by cancer.

In all, I think this is an exciting way to raise funds for a very worthy cause and, as an added bonus, to expand your collection of fiber art.  I hope you'll consider being a part of this exclusive opportunity.

Wednesday, November 26, 2014

The Miracle of Dogs

We were told it would take two years to get a release dog from the Seeing Eye in Morristown, NJ.  But  six weeks after submitting the paperwork we got a call.  They had noticed on our application that we would be willing to take a dog with a handicap.  Would we be interested in a dog with a torn up knee?  The answer was yes, and thus began our 20 year journey with family dogs.

Since Boo came into our lives, we have been transformed.  We unwittingly carry dog hair everywhere we go.  We're apt to talk to complete strangers if they have an adorable dog.  We miss these creatures when we're away from home; I feel an emotional hole when I'm not greeted by a wet nose when I walk through the door. Our children will avoid texts asking personal questions but will unfailingly respond quickly to texts that include dog videos or pictures.

I was thinking about pet ownership as I cleaned up an overnight accident the other day.  I wasn't really upset.  The offending dog -- neither dog would acknowledge the vomit -- had thoughtfully avoided my husband's gym shoes.   Impressive.  Yes, the clean up was stinky.  Yes, it was taking minutes out of my morning routine that I didn't really have.  But it made me marvel, for what must be the umpteenth time, that dog ownership has taught me patience, joy, exuberance, pleasure in the little things, and love.

It was fate then, I think, that later that day I was reading Ann Patchett's book, This is the Story of a Happy Marriage.  The book is a collection of essays from different points in Patchett's career.  Here is an excerpt from "This Dog's Life" that was originally published in Vogue, March 1997.  It said everything I was feeling.

I watch the other dog owners in the park, married people and single people and people with children. The relationship each one has with his or her dog is very personal and distinct.  But what I see again and again is that people are proud of their pets, proud of the way that they run, proud of how they nose around with the other dogs,  proud that they are brave enough to go into the water or smart enough to stay out of it.  People seem able to love their dogs with an unabashed acceptance that they rarely demonstrate with family or friends.  The dogs do not disappoint them, or if they do, the owners manage to forget about it quickly.  I want to learn to love people like this, the way I love my dog, with pride and enthusiasm and a complete amnesia for faults.  In short, to love others the way my dogs loves me.   
What is it about dog ownership  -- or pet ownership in general --  that's so magical?  I can only say that I think it's a gift from God because I know all my dogs have been angels on Earth.  I've been blessed by the lessons these creatures have taught me.  Hopefully I learn their lessons well.

Boo and her beloved Frisbee
Goblin, my gentle giant, amid the flowers
Bella, sitting in her very funny and unique way
Handsome Harvey, one of the goofiest German Shepherds around

Monday, November 17, 2014

My Newsletter is Ready!

I'm pleased to announce that my first newsletter is ready!   Each issue will have original content, different from what you'll read here on my blog.   If you'd like to sign up, please click here and complete the sign up form.  I'll be sending out the inaugural edition at the end of the week.  I hope you'll sign up!

Sunday, November 9, 2014

Sue Reno and Surface Design Essentials

I met Sue Reno through the internet many years ago and had the good fortune to share a meal with her a few years back. She is exactly the same as her blog persona: passionate about nature and conservation: articulate, thoughtful, and intelligent; and above all else, very kind.  Her art has captured my attention, and that of the mixed media art world, with its graphic designs and lovely mix of colors for quite a while. So it should be no surprise that I'm honored and thrilled to be part of Sue Reno's blog tour for her new Quilting Arts Workshop DVD,  Surface Design Essentials for the Printed Quilt.

I love to add to paint to the surfaces of my quilts, but have only a few techniques in my arsenal.  Sue's DVD is a perfect antidote to that problem.  Following an introduction describing the appeal of adding images to fabric, Sue introduces four printing styles -- cyanotype, heliograph, Thermofax®, and collagraph -- as a separate chapter.  It's easy to watch the DVD in one sitting or to select the method that most suits your interest at the time.

Sue begins each chapter with a list of the supplies necessary for the technique, and then demonstrates each step of the process.  Sue is so comfortable with each one that she never falters.  The only interruption to her very clear instructions are when she shares interesting tidbits about the techniques, their history, or the plants she's using to make her prints.   Sue has a nice balance between assuming what knowledge we already have and explaining things we might not know, making the DVD  helpful for beginning and advanced artists alike.  At the end of each segment, Sue shares a few of her works that incorporate that particular technique. It's great to see the variety of ways Sue has used these printing methods while still staying true to her signature style.

I decided to try my hand at cyanotype printing partly because I think the resulting Prussian blue is so luscious, but also because it strikes close to my photographer's heart.  Cyanotype printing is essentially a photographic printing technique using a substrate (in this case, fabric) that's been chemically treated, and UV light (sunlight) to create an image using resists.  Though it's optimal to do cyanotype printing on warm sunny days, I only had the opportunity to experiment on a partly cloudy,  blustery, 54 degree day.

There weren't many plants with fresh leaves left in my garden so I improvised a bit.  I gathered a few leaves and stencils to create my images.  I pinned all the items to the treated cloth and set the board in the sun, securing it with rocks I've unearthed while gardening.

In the DVD, Sue shares a few of her samples that show how the density of the foliage or flowers results in different shades within the print; for example, a thick green leaf is going to let less light through than a delicate white flower petal.  With that in mind, I hoped to achieve similar results with the opaque circle stencil and the pin shadows.

In ideal conditions, the fabric should be exposed for 10 minutes.  I let my fabric sit for almost 20 minutes and I could tell something worked because the color had changed just like Sue had described.  See, it's much grayer now.

I brought my samples inside to stop the exposure process and removed the pins on one of the letters.  I felt it wise to do a progress check.  It looked like it worked despite the breeze and the cool temperatures.

I had set up my station on top of my washing machine, in easy reach of the sink.  Since I don't have basins to use for rinsing out the photographic chemicals, I was using warm running water to rinse my pieces.  I was pleasantly surprised to see that the circle stencil had actually left a bit of a mark.

After quick rinse (it really doesn't take long), a little bit of rubbing (the images weren't diminshed at all by my scrubbing), and a bit of giggling over the luscious Prussian blue, I set the bits to dry and then iron.  Viola, here are the finished samples.

The only one that didn't leave a crisp edge was the "E", but as you can see in one of the pictures above, the top of the "E" bent back in the wind so it didn't rest closely to the cloth.  Perhaps I should have pinned it down, but I now rather like how wonky it is.

I also really like the subtlety of the print left by the circle stencil and the pin shadows.  I can now imagine lots of ways to use this printing technique!  I'm looking forward to continuing to experiment with cyanotype printing, and trying my luck with the others Sue details as well.

I hope you'll give Sue's DVD a try.  It can be purchased from Interweave as a download or a disc.  To read what other artists thought about Sue's DVD, be sure to visit all the blogs on the tour:

11/5/14: Sue Reno http://suereno.blogspot.com/
11/6/14: Susan Brubaker Knapp http://wwwbluemoonriver.blogspot.com/
11/10/14: Virginia Spiegel http://www.virginiaspiegel.com/blog/
11/11/14: Cynthia St. Charles http://cynthia-stcharles.blogspot.com/
11/12/14: Natalya Aikens http://artbynatalya.blogspot.com/
11/13/14: Lyric Kinard http://lyrickinard.com/blog/

Wednesday, November 5, 2014

A New Look ... and a Newsletter

It was time for a make-over and I'm so pleased to reveal my new banner, thanks to the fine work of  Deidre Adams.  (The banner includes elements from two of my favorite pieces: A Show of Hands and Behind the Barbed Wire.)  My new look is going to be appearing here, on my website (updating is still in progress), and in my upcoming quarterly NEWSLETTER!   I plan to share lessons from my life as a museum docent, exhibition reviews and/or tidbits about art in public spaces, my favorite photo from the preceding months, and news from my studio.  If you'd like to sign up for my newsletter, please let me know at info@VivienZepf.com or 7pines@optonline.net.   I will keep your contact information confidential.  

Meanwhile, I'm going to be tossing my head about as if I've just left the salon.  Having an updated look for the web is a bit like getting a new, sleek hairstyle and feeling a bit sassy.....

Friday, October 31, 2014

Eco-Dyeing Update: Pokeberries

At the end of a recent walk in the nature preserve, I noticed a pile of cut weeds along the path.  It was mostly a mess of gnarly vines and shaggy tendrils, but there were pokeberries in the pile, too.  Not wanting to let them all go to waste, I grabbed a handful to take home for eco dyeing.

You may remember that I've been a little disappointed that the lovely pink color that appears after dyeing with rose petals never stays (though the remaining mottled browns are nice).  I've read that most eco-dyers have success creating pinks with staying power by using pokeberry.  I thought I would give it a try.

I chose two sections of Dye-licious naturally pre-mordanted fabric for my experiment.  The fabric directions indicate that the fabric should be washed and rinsed before starting, so one section was quickly washed, rinsed, and wrung out before beginning.

For comparison, I took the other section straight from the packaging and placed the pokeberry onto it directly, using vinegar to dampen the cloth -- though the fabric directions explicitly state that vinegar is not necessary.

I secured the bundles with rubber bands.  These went directly over the dye pot to be steamed for an hour.  I poked two skewers through the rubber bands so the bundles would be suspended over the steam like a rotisserie.

After steaming on the stove, I set the pot outside to let the bundles batch in the warm sun,

and then let the process continue in the garage.  (I didn't want the pot accidentally knocked over by a curious dog or raccoon in the dark.)  My goal was to let the color soak in for at least 24 hours.

A day later I unwrapped the bundles and found this glorious fuchsia color. I don't have any screens to set cloth on so my two pieces relaxed on the grass, held fast by rocks I've unearthed in the garden.

The color deserves a close-up.  The color hasn't been enhanced in any way; isn't it gorgeous?

As much as I didn't want to, I knew I had to rinse the fabrics.  I prepared myself to say goodbye to the saturated color, but discovered this lovely delicate mauve-ish color stayed in its place after rinsing. I think the color is a little richer than you see here, but hopefully you get a sense of the results.

I'm pleased to have successfully dyed a colorfast pink.  The section of fabric that I washed and rinsed first did slightly better than the one on which I only used vinegar.  I'm curious if the color would change significantly with a modifier, but that will have to wait until next year.  I don't have pokeberry in my garden and most of it has died in the fields.  Something to look forward to...