NYC Gallery Hopping
A bad head cold + bad rain kept me from attending the immigration panel discussion. Bummer. But, I was able to head to the city to go gallery hopping. In Chelsea, a number of the galleries will host their openings on Thursday nights, and the streets are packed with people going from one to the next. There were a number of fascinating exhibition openings. Here are glimpses of what I saw:
Some of Robert Motherwell's early paintings were on view at the Paul Kasmin Gallery.
Orange Personage, Robert Motherwell, 1947 Oil and sand on canvas |
Orange Personage, detail You can see the fabulous texture in this detail image here |
Detail, "Ebb and Flow", Maya Lin |
Detail, "Ebb and Flow", Maya Lin |
I discovered a new-to-me artist that I found captivating: Nathalie Boutté. Her exhibition at the Yossi Milo Gallery called "Crossing-over" was amazing. From a distance, these works seem to be, perhaps, a woven textile. But no. They're collages made from tiny hand-cut strips of Japanese paper, individually assembled into rows, using the tint and text on the paper to create images.
L: The African Choir (9), 2016; Japanese paper, ink R: The African Choir (11), 2016; Japanese paper, ink |
Detail, The African Choir (11) |
Detail to appreciate the complexity of these collage constructions |
The James Cohen gallery featured, A Line Can Go Anywhere, a curated exhibition featuring seven Bay Area artists who use fiber as their primary material. It was a wonderful compilation of a variety of work dating from the 1950s to the present.
Installation view Trude Guermonprez in front Untitled (Space Hanging), 1965 silk, double weave |
Ed Rossbach After Miro, 1970 jute, horsehair |
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